I was commissioned to make a logo for the European Go Journal.
The quill represents the written word. It draws a line on the go board, symbolizing the creativity and inspiration we take away from the journal, ready to be used in our own games of go.

Artem Kachanovskyi and I brainstormed about the design: it was to be simple but easily recognizable in different sizes, since it will be used on the new website for the journal as well as on the cover of each edition. We sent sketches back and forth. My initial idea was to have a fountain pen draw a go stone on a board. My second idea was for the pen to shoot or drip drops of ink that would shape into go stones. Artem preferred a classic quill over a fountain pen and showed me a picture of a quill drawing a line. This gave me the idea of the quill drawing one of the lines of the go board, which form the intersections on which stones are placed. This felt like a better metaphor for the journal, with the quill "preparing" the setting for us to play on.
I wanted the font of the text to represent the classy, old-fashioned atmosphere of the drawing and after confirming with Artem, we chose "Quintessential" for the job.
I made a color version and a black and white version for the logo. In the end I think I prefer the b&w one, as its go board feels less defined, which makes the movement of the quill more apparent. 

Artem also asked if I could design a favicon for the website, which ended up as a cross-cut shape of four go stones. This was a shape that he had suggested during the creation of the logo as well, and it is very characteristic for the complexity of the game of go, because it usually indicates a difficult fight.
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Artem and I are currently working on the fourth edition of the magazine, the May 2021 print, which will be published in the beginning of June. 
If you are interested to get a copy of the European Go Journal, have a look at its Patreon page. 

The March edition of the European Go Journal is ready. The digital edition has already been distributed to the subscribers. The PDF is at the printer and a new, more luxurious paperback than the first edition will soon be posted to the subscribers that want to read from real paper.

For the cover I made a special black and white version of my artwork "Sniffing the Third Line". On pages 26-28 the color version of the same artwork is included with more background information on my inspirations for that painting. 
I also helped Artem Kachanovskyi, the author and compiler of the European Go Journal, with the layouting and overall editing of the magazine. We worked hard together this month to create a magazine for European go with high quality content and I'm proud of the result.

This is only the second edition of the journal. I started working with Artem in the beginning of March, when I had just one or two days to proofread the entire first edition before we released it. We've come a long way since then, with already more than 100 subscribers! We are still perfecting the streamlining of the creative process. 

If you want to get a copy, go to www.patreon.com/europeangojournal

One of my customers on Etsy, William Sheehan, was happy with his order and asked me if I'd consider doing a private commission for him. William is 54 years old and has 20+ years of experience in chess under his belt. Only recently, about two months ago, he got into go and has already reached the level of 14 kyu. Previously William ran a chess club and as he is now fully submerged into go, he plans to start a go club. He showed me the logo of his chess club that he made himself (see picture below), in which he incorporated the blue and red colors of the flag of Chicago. The stars in the top left corner are taken from the same flag and the buildings in the background form the skyline of the city. We exchanged some ideas and soon I understood that the go logo was to be quite similar, but that I was free to include my own wittiness. William told me that he lives very close to the Midway International Airport, and that's where the name of his club comes from. Soon after, I got the idea to include an airplane in the design and have it lift off from the go board. William had also mentioned the tarmac of the airport and this gave me an idea for the go position: the go stones shown in the logo form a ladder that resembles a tarmac and emphasizes the movement of the plane. The ladder is good for White: White is in atari, but can move out with the next move, connecting up to his corner stones and breaking free, just like the plane. We ended up chosing a mechanical-style font for the letters, called 'Noise Machine'.
If I'm ever in Chicago, I look forward to dropping by at the Midway Go Club.

I made a logo for IGLO - Internetowa Go Liga O!
IGLO is an online go league that was started around the time the covid-19 pandemic began. The league was created by Cezary Czernecki, supported by the Polish Go Association, and is now running its 9th season with 57 players competing. Participation is free of charge and most participants are from Poland and Ukraine, but anybody is welcome to take part. Each group consists of 8 players, in which each player plays against seven others, one game per week, The players compete to promote to the higher rated groups and, when results are suboptimal, can also fall down to the groups below. When a new player joins, he/she will be placed in a suitable group relative to their playing strength. IGLO includes regular lessons and game commentaries by top European players Stanislaw Frejlak 7 dan and Lukas Podpera 7 dan. 

A new monthly go magazine is born, called the European Go Journal. This is a great initiative by Artem Kachanovskyi 2dan professional, under the banner of the European Go Federation.
Artem got in touch with me earlier this year and told me of his aspirations to start the journal. His plan was to include a chapter on go-related art and photography in each edition and he asked me if I wanted to take part in it - as a way to make the magazine more interesting and at the same time promote my illustrations and Etsy shop. I agreed and chose "The Ear Reddening Move" for the first edition, an artwork I did on commission for the Latin American Go Congress in 2019. The artwork and a small background story about it can be found on page 35 of the journal. Artem also asked me advice on the layout and design of a magazine, and because of my experience as an author of go related articles and the 2016 European Go Yearbook, I ended up proofreading the whole journal. I also created the cover for the first edition, which features a beautiful artwork called "Hope" by French illustrator Camille Lévêque from Stoned on the Goban. 

The February 2021 edition of the European Go Journal is now available, free for download. The magazine will appear monthly in both online (PDF) and printed (paperback) form.
​If you want one or if you want to support future editions, please have a look at the Patreon page: https://www.patreon.com/europeangojournal

​The plan is for me to stay involved in the making of future editions of the journal. I will edit, proofread and design the cover. Artem has asked me to use one of my own artworks for the March-edition and I am thinking to make a black and white version of my go playing cat for the occasion.

Previously, I designed a disc golf winter logo for the guys from Next Move in Groningen. This time around, they asked me to make a logo for Disc Golf School, a new initiative to teach disc golf to kids and grow the sport throughout the Netherlands.

I had two concept sketches that I pitched to Next Move:
- A basket with chains that grow out like the branches of a tree, forming new baskets as fruits of labor. Trees are often used as a symbol of wisdom and physical and spiritual nourishment. The multiplication of the baskets is a metaphor of the passing on of knowledge and the creation of new disc golf players.
​- A teacher and a pupil in a disc golf environment. The teacher shows the student where to throw and the pupil executes the shot. This was my literal translation of the idea of a school.

Although Next Move liked the idea of multiplication, they chose the second design because of its more professional feel. I added trees, a teepad, some details, colour and of course the text. Next Move also requested a black and white version. No problemo guys, roger that. 

The go playing cat on the 2019-2020 Dutch Go Yearbook is the fifth consecutive cover in a series I have made for the Nederlandse Go Bond. The covers feature animals, go positions and paper marbling. The other four designs with background information can be found here.
The cat came into being as a watercolour painting in May earlier this year. It was inspired by other go-cat related art I had seen in the past. You can read more information about it here. I gave away the original drawing in an art raffle on social media to lift spirits during the covid-19 pandemic and to celebrate having almost 800 likes on my Facebook page. You can watch the raffle video here.

I'm grateful to the NGoB; this series of yearbooks is becoming quite something and I hope future Dutch go players will enjoy my covers as much as I do. The 2019-2020 edition will be printed and distributed among the members of the Dutch Go Association in January 2021.

Jenny's PhD thesis and my cover design are featured on the homepage of RIVM.
The RIVM is the National Institute for Public Health and the Environment of the Netherlands. It has been in the Dutch news a lot this year, because it is the organisation that officially publishes all information and guidelines on covid-19.

Jenny successfully defended her PhD research "Source attribution of human toxoplasmosis - A quantitative microbial risk assessment approach" on Tuesday 8th of December. I watched the defense live on the internet stream provided by Universiteit Utrecht. Jenny received lots of praise from the professors, her colleagues in the field and her promoter. They spelled out a bright future for her and now the research is already getting the attention it deserves. It was also fun to hear some of the professors mention the cover I designed and how much they liked it. 

The article by RIVM and the thesis by Huifang Deng can be read and downloaded here. 

I made a footer for the website of Frisbeewinkel. On request, the footer incorporates designs I previously made for the category buttons on the site of Disc Golf, Ultimate Frisbee and Dog Frisbee. This represents the range of frisbee sports the company stands for and the articles the website sells. The green mountains in the background have a similar colour to the thumbnails I made and are in line with the colours of Frisbeewinkel's logo.

I made more thumbnail designs for Frisbeewinkel, the biggest frisbee store of the Netherlands. These are visible on the website when you hover with your mouse over the banner with product categories at the top of the screen. 
This is the third category that I am making designs for: Ultimate Frisbee. Previously I made the thumbnail designs for the categories Disc Golf and Dog Frisbee. Those were easier to make because the titles of each category were self-explanatory and part of a consistent set: For "Putters" I drew a man throwing a putter into a basket, for "Midrange Discs" I designed a figure throwing an up-shot and "Distance Drivers" asked for a design of a person driving a disc, and so forth. The Ultimate Frisbee category was a bit different: the five titles of this category are "Logo, Star and Tribal Prints", "Junior Ultimate Discs", "Custom Frisbees", "Ultimate Accessories" and "Sand Socks". These titles are more varied and less in line with each other, and it did not make sense to try and directly translate these into a visual equivalent. Instead I decided to use ultimate frisbee players in action, in line with the 'action shots' I used for disc golf and dog frisbee, to form a consistent visual story throughout the website. The last two titles "Ultimate Accessories" and "Sand Socks" felt too out of sync if I used in-action-designs as well, so for those I used two characteristic products, a cap and a sock!  

#ultimate #ultimatefrisbee #frisbeeshop #frisbeewinkel